While bending our beats into quirky and off-kilter patterns is now a doddle thanks to the slice-and-dice interface of Beat Scholar, further humanity can be injected into your beats via the in-built swing slider. (Image credit: Modalics ) Are we human, or are we pizza? From adding subdivisions, quarter notes and oddball hits, creating odd little rounded-out micro-fills to the end of patterns to triggering effects, noises and samples – making beats sound less programmed and more organic has rarely been as joyously fun. In practice, the array of permutations you can instil into your beats is soon apparent. It’s surprisingly deep for something so straightforward to use.
You can also impart character-enhancing effects such as filtering, distortion reverb and compression. To the right of this area sits the Sounds Module, where you can further shape the timbral quality of the currently selected sound, via sample and attack controls. Colour coordination makes this process a lot simpler than a lot of more mathematical drum programming suites. The top toolbar presents the global functions and editing tools, while down at the bottom, the Kit Module gives access to the source sounds on which you can place the pattern module either entirely, or per slice.
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If humanisation is what you’re looking for, then IK’s software drummer is immensely pliant. 16-step sample slicer with a more conventional approach to slicing and dicing recorded samples.
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